Sounds Good
A whole bunch of Evenings for Brainses ago our conversation turned to the decline of funding for orchestras and the loss of public interest and understanding in concert music generally. I remember I was advancing (in part on behalf of Satan) that the end orchestras would not be synonymous with the end of culture or even with the end of sophisticated music—that, though tragic especially for the last few, lonely members of a moribund species, species do go extinct; languages do go extinct; crafts do go extinct, and life continues impoverished in that sense but certainly able to develop new species, languages, crafts, etc. For music specifically, there are neat, crowd-sourced newcomer-species like Eric Whitacre’s Virtual Choir, arriving with the growth of access to the Internet and to creation tools; the musical language in which one needed to be fluent to understand the ideas of complex concert music is changing, like any other living language (if also simplifying); multi-track digital audio workstation software, sophisticated digital signal processing, and especially physical modeling synthesis, challenge the definition of “musician” and the nature of the craft. Rah, rah, rah. At the time, even though I was exploring the above position in earnest, I was pontificating far outside of my aesthetic: I abhor extinction because I like information; not—and this is a much better reason—because diversity of species, of ideas, and of skills makes for a more resilient system in which to live.[1] It doesn’t really matter, though, since at the time, I didn’t go to concerts or speak Concert Music; my positions were tediously academic.
Joel returned to Toronto from his work in Mongolia this summer and Gid and I became housemates in October, so I’ve had a sudden influx of concert music in my life. Among other things, this has meant three (so far) trips to Roy Thompson Hall to see the Toronto Symphony Orchestra in the last two months, after a drought that probably goes back to Grade Nine. I’ve noticed some things I want to tell you about.
Danny Fekete is studying education at the Ontario Institute for Studies in Education, appropriately. 

