Nov

22

Sounds Good

Posted by Danny on Monday, November 22, 2010 at 12:54 pm

A whole bunch of Evenings for Brainses ago our conversation turned to the decline of funding for orchestras and the loss of public interest and understanding in concert music generally.  I remember I was advancing (in part on behalf of Satan) that the end orchestras would not be synonymous with the end of culture or even with the end of sophisticated music—that, though tragic especially for the last few, lonely members of a moribund species, species do go extinct; languages do go extinct; crafts do go extinct, and life continues impoverished in that sense but certainly able to develop new species, languages, crafts, etc.  For music specifically, there are neat, crowd-sourced newcomer-species like Eric Whitacre’s Virtual Choir, arriving with the growth of access to the Internet and to creation tools; the musical language in which one needed to be fluent to understand the ideas of complex concert music is changing, like any other living language (if also simplifying); multi-track digital audio workstation software, sophisticated digital signal processing, and especially physical modeling synthesis, challenge the definition of “musician” and the nature of the craft.  Rah, rah, rah.  At the time, even though I was exploring the above position in earnest, I was pontificating far outside of my aesthetic: I abhor extinction because I like information; not—and this is a much better reason—because diversity of species, of ideas, and of skills makes for a more resilient system in which to live.[1] It doesn’t really matter, though, since at the time, I didn’t go to concerts or speak Concert Music; my positions were tediously academic.

Joel returned to Toronto from his work in Mongolia this summer and Gid and I became housemates in October, so I’ve had a sudden influx of concert music in my life.  Among other things, this has meant three (so far) trips to Roy Thompson Hall to see the Toronto Symphony Orchestra in the last two months, after a drought that probably goes back to Grade Nine.  I’ve noticed some things I want to tell you about.

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Jun

22

Free Music from Some Lovely Indie Games

Posted by Danny on Monday, June 22, 2009 at 10:55 pm

Blueberry Garden

A quickie: for folks who don’t necessarily enjoy video games but do enjoy very pleasant music, I’ve tracked down the soundtracks for World of Goo, Braid, and Blueberry Garden. For those who do enjoy video games but haven’t explored these titles, they’re all really, really great, original, independently-produced games with appropriately singular musical scores.

Kyle Gabler’s soundtrack for World of Goo is freely available here. If you don’t already know the music and are turned off by the name of the game, please give it a chance and listen to one of the most celebrated tracks, “The Best of Times,” on YouTube. Don’t forget to toggle High Quality. (Also, for hard-core fans and/or pianists, a fan arrangement of the entire soundtrack and sheet music are available here courtesy of Sebastian Wolff.)

Jonathan Blow selected the tracks for Braid from the work of a handful of established artists on Magnatune.com, a really neat model for flexible music publishing and licensing that escapes the DRM and general obsolescence of traditional publishers and gets around the distributor-biased conditions of iTunes. Unfortunately, the Braid soundtrack isn’t available for download without a Magnatune subscription but can be streamed at high resolution for free. See?


Music from Braid by Sieber, Kammen, Fulton and Schatz

Finally, the lonely piano score for Erik Svedäng’s heavily applauded Blueberry Garden has been made available by its composer, Daduk. The details are all here and you can pick up the files from the link provided on Svedäng’s blog without doing anything strenuous like signing up at Jamendo.com (whereat the album is hosted). It’s CC-by-nc-sa — how groovy is that?

Enjoy, I hope.